The Watercolor Flower Artist’s Bible: An Essential Reference for the Practicing Artist by Claire Waite Brown
My rating: 5 of 5 stars
My newest art book is the gorgeous Watercolor Flower Artist’s Bible: An Essential Reference for the Practicing Artist, edited by Claire Waite Brown.
This is quite a comprehensive volume. It starts out with a section on watercolor supplies and explains the most common techniques watercolorists use. Several tutorials encourage practice with these, e.g. “Combining wet-in-wet and wet-on-dry,” “Using Masking Fluid” and more.
An analysis of flower shapes follows. Here the text explains the look and structure of the various flower shapes (like bell, trumpet, cup and bowl, etc.—eight in all), delving into how they appear foreshortened and reflect light from different angles. Of course a real flower example is used in each case. (For example, in the trumpet section, a Daffodil is the example).
A Directory of Flowers section follows that. In this part you find a picture of each flower and a link to the instructions on how to paint.
You can also find flowers by color in the colored garden section that follows the directory (“The Red Garden,” “The Pink Garden,” “The Yellow Garden,” etc.) that ends with “Berries and Leaves.” Each garden color chapter is introduced with watercolor paintings by accomplished artists. These are followed by details of specific flowers in the color family and include color swatches of the particular flower’s blooms and instructions on how to draw and paint one example.
To help you even further in finding the flower you want to attempt, you can go to the comprehensive Index at the back, where each flower is listed (alphabetically) and linked (in the Kindle edition) to its page in the book.
This book is chock-full of information and tips. However, my favorite aspect of it so far is the artists’ paintings that begin each colored garden and are sprinkled in other spots throughout. Talk about eye candy and inspiration to improve!
I purchased the Kindle edition of the book, which I read on my iPad. It’s easy to use propped on my desk during painting sessions with no need to fight stubborn book binding. Also I can enlarge the images to my heart’s content.
I’m sure this book will be one of my most used painting references in the months ahead.
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